David Moser McKay is an Instructor in Theory, Composition, and Music Technology at Belmont University. An award-winning composer, arranger, jazz pianist, and publisher, McKay’s commercial scoring credits include Paramount Pictures, HBO, Showtime, McDonald’s, Wendy’s, AT&T, American Standard, General Electric, P & G, Destiny Image, Explora Cruise Lines, and Princess Cruise Lines. His choral-orchestral music is published and distributed through J. W. Pepper, Oxford University Press, LifeWay, Word Music Now, Colla Voce, St. James Music Press, A.M.S.I. (Lorenz), Belden Street Music, and earthsongs.
McKay has written, performed, recorded, and collaborated with a number of artists and ensembles including Erich Kunzel and the Cincinnati Pops Orchestra, Maranatha Praise Band, Amy Grant, Chester Thompson, Don Moen, Ron Kenoly, Phil Driscoll, Leann & Carl Albrecht, Lynn DeShazo and Denyce Graves. McKay is a music notation product specialist and beta tester for Dorico and Cubase (Steinberg). He has beta-tested for Finale (Coda/MakeMusic), Sibelius (Avid), and Composer’s Mosaic (MoTU). He holds a Master of Music in Composition from the University of Cincinnati College-Conservatory (CCM), a Bachelor of Music in Composition, Literature, Theory, and Piano from Heidelberg University, and an Associate in Theology degree from Florida Beacon Bible College. McKay studied composition with Lukas Foss, Paul Palombo, and Norman Dinerstein, and participated in master classes with Aaron Copland, Witold Lutosławski, and Danny Elfman.